“Milhaud’s prismatic orchestration, which paints remarkable moods of irony and gloom with the simplest of means, was deftly articulated in the pit under the sensitive guidance of conductor Timothy Myers.” – Opera News
“In many ways the night belonged to the orchestra and chorus. Conductor Timothy Myers was in masterful control of every phrase, bringing out the subtleties of Verdi’s score as well as the stirring drama.” – Raleigh News & Observer